The talented musician, a key member of the pioneering 1980s synth-pop band Soft Cell, has passed away at the age of 66.
Alongside singer Marc Almond, the pair scored a worldwide hit with their version of Gloria Jones' Tainted Love in the mid-80s, and their debut album their initial full-length release is considered a classic of electronic music.
He later founded the pioneering electronic act The Grid, who achieved popular acclaim with their 1994 single the hit Swamp Thing.
Ball died peacefully in his rest at his home in London on October 22, just weeks after playing a headline show with Soft Cell at the Rewind music event in the Thames-side town.
Health Struggles
During that show, Ball appeared in a mobility chair, as he had for the previous couple of years, after a spate of ill-health.
"I managed to damage myself significantly," he stated in a recent interview. "I broke spinal bones in my spine and fractured about multiple ribs and fractured my arm."
After catching a lung infection and suffering from sepsis, he was put in an medically-induced sleep and stayed in the hospital for half a year.
However, he had been in "high spirits emotionally" over the summer, as he worked on a fresh record with Almond, titled the upcoming Danceteria, which is scheduled for release next year.
"He was concentrated and very pleased with the new album that we actually finished only a short time ago," said the vocalist in a tribute.
"It's truly heartbreaking as next year was all set to be such an positive year for him, and I take some solace from the fact that he heard the finished record and believed that it was a masterpiece."
Tributes
Almond described his collaborator as "a wonderfully brilliant creative mastermind", stating: "He was the heart and soul of Soft Cell and I'm extremely pleased of our body of work.
"Thank you Dave for being an immense aspect of my existence and for the songs you created with me. I couldn't be where I am without you."
Richard Norris from The Grid, shared his condolences, remembering Ball's "endless laughter" and "unwavering friendship".
"Being in a duo with someone is different from joining a band, the connection is incredibly close," he continued.
"That's how it was with us. We experienced so many remarkable, extraordinary, memorable experiences as a team. Many thanks, Dave."
Early Life
Brought into the world into a single-parent household in the city of Chester in the late 50s, Ball was given up for adoption when he was a year and a half old.
He was raised in the seaside town with his new family his caregivers, who altered his given name from Paul to his adopted name, alongside his sibling Susan, who was similarly welcomed.
He encountered Almond at Leeds Polytechnic in the late 70s, where they were both studying fine arts. Inspired by a shared love of a music genre, they formed Soft Cell the very year, and quickly recorded an EP.
Musical Partnership
The pair were an distinctive combination: Ball was the reserved technician, hunched over his keyboard, while Almond was a flamboyant performer, all sparkle and makeup; but they attained a unique creative synergy.
Ball had developed a interest with synthesizers after viewing Kraftwerk perform on BBC science show a popular series, and began to marry moody electronic sounds to the catchy tunes Almond was writing.
Their signature song became the UK's second biggest-selling song of the early 80s, selling 21 million units worldwide. Together with hits by Gary Numan, contemporary bands and Ultravox, it helped cleared the way for the synth-pop sound of the 1980s.
The song was also featured on their first album, Non-Stop Erotic Cabaret, which produced two further top five singles: Bedsitter and Say Hello, Wave Goodbye.
They continued the record up with the separate release, Torch, which peaked at the second position in the following year.
Professional Journey
Fame had its benefits. "I enjoyed being able to purchase my initial property, having money and exploring, which might seem like a beauty queen," Ball not long ago told with a publication.
But it also caused challenges. "Newfound wealth allowed we could afford substances to relieve the monotony" of media interviews and television shows, Ball explained.
"I know that's a common saying, but it's a cliché for a good reason, because it applies for so many bands."
Amidst the party-filled existence, the pair were also growing distant, but they succeeded to create a second memorable record - the wayward, tense and aptly-titled The Art Of Falling Apart.
They released one more LP, their 1984 release This Last Night In Sodom, before dissolving the group to concentrate on other projects.
Almond went on to have a successful solo career, including the top 10 hit Something's Got A Hold Of My Heart; while Ball created The Grid, who mixed dance music with ambient pop over a long-lasting partnership.
Reunions and Final Projects
Soft Cell came back together in the early 2000s, releasing the charting record Cruelty Without Beauty.
Following a further hiatus, they returned in 2018, issuing the new tracks Northern Lights and Guilty (Cos I Say You Are) before staging what was supposed to be a final performance at the large venue on 30 September, 2018.
However, they remained together, creating their fifth album, Happiness Not Included, during the 2020 restrictions.
Ball recently described the band's upcoming release as a tribute to the NYC nightlife they visited while recording their initial records.
He added that his period in medical care had influenced the band's sound.
"I had strange recollections when I was coming and going of the hospital because I was on morphine," he explained to a publication.
"The new songs are a digital reflection of the sounds in my mind from those days.
"Simultaneously, it's about the times me and Marc got up to in the 1980s."
The last versions were finished only days before Ball passed away. It is scheduled for release in the spring of 2026.